Pop Art in Britain

January 7th, 2012 by admin No comments »

The emergence of the pop art movement has its roots in Britain. Historical records indicate that this movement emerged in UK during the 1950s as a direct distinction from the high brow culture of traditional art. This movement challenged everything that traditional art stood for and soon emerged as a strong contender. From Britain, this art form spread to other nations and flourished in different countries, especially in America. Even today, it is highly popular and many people vie to buy the various styles and versions that are continually being created. Through this article, we will try to examine how pop art emerged in Britain, how it took its name and the artists who helped promote the movement.

The Independent Group
The emergence of the art form has its initialization in the Independent Group. This group was formed when critics, painters, architects, designers, musicians and other artists from diverse areas of work came together as one entity. This group challenged the standard norms of the industry and celebrated newness, novelty and individuality.

Emergence of the art form
During the 1954-55 session, the topic of Popular Culture was selected as the central theme for discussion. This theme was chosen as the group perceived that era to be of profound importance and as one that was witnessing various changes. It was also noted by the experts that art had to come to terms with that current culture rather than departing from it. The concept of escaping from prevalent culture or ignoring it was considered irrational, and experts decided that there was a need to embrace that as a form of art.

Exhibitions that kick-started pop art
After a series of many such discussions, the art form soon began to take shape. Exhibitions were regularly held with the most popular of these being titled ‘this is tomorrow’. Conducted at White Chapel Art Gallery in London in 1956, it showcased various styles of art representing modern culture.

Emergence of the phrase: Pop Art
The term was coined around the same time. As per records, in the year 1954, ‘pop art’ was coined by John McHale for the movement that soon followed. This term was extensively used in discussions by the Independent Group. Much credit for popularizing this term also goes to Lawrence Alloway, a British art critic and curator who used it in a 1958 essay titled ‘The Arts and the Mass Media’. » Read more: Pop Art in Britain

Is Graffiti Art?

January 5th, 2012 by admin No comments »

Graffiti artists across the globe today express their thoughts in multi-coloured displays on all surfaces around us. However one could claim that it is visually impairing and the laws against it are not strict enough, as people’s properties are unwillingly defaced. Therefore to what extent can graffiti be considered art?

On one hand graffiti by definition can be considered art; a personal visual perspective is created by producing something beautiful or extraordinary. Graffiti artists take much time and effort in practicing technique, covering portfolios prior to visually entertaining the public, devoting countless hours in contrast to some ‘art’ on display at the Tate Modern. For example murals are painted in memory of respected people and events on places such as the Berlin Wall to improve our landscape and remind passersby. In addition art is an output of feelings and emotions which can express and inform particular issues of society.

‘Banksy’s’ politically satirical pieces share a conscious of many less risk taking, thrill seeking bystanders. He has beautified walls in the Gaza strip because it improves the scenery, like abandoned buildings and railways that would otherwise remain bland and ugly. Furthermore graffiti is a symbol of freedom. Freedom of speech is a right people have died for. Graffiti artists risk everything for their visualisations to be expressed, acknowledging that prosecution is a certainty if caught. Surely other crimes facing our world today warrant more focus?

On the other hand graffiti is vandalism and is illegal for many reasons. Aggravation and annoyance are caused by vandals destroying private property without consent. For instance places of worship in poorer areas are canvases for these CFC emitters, in turn offending countless religious communities. Imagine how the ‘artist’ would feel if their property were devalued and ruined with their own tools. Why shouldn’t these artists use their talent in much more constructive ways?

There are the facilities to produce graffiti legally, even whole areas in Paris. ‘Artists’ run small businesses to the ground by ‘tagging’ shop fronts which put off potential customers. Consequently graffiti removal teams are paid to clean the walls by the taxpayers as the works can promote gangs, racism and even anti-Semitism; this is all very expensive and subsequently necessary to reduce crime. » Read more: Is Graffiti Art?